Caserta Quadro Piazza Torneo Fergola 948x573, Unofficial Website of the Royal Palace of Caserta


The world biggest royal palace that changed the world architecture

“The Royal Palace , the crowning achievement of Luigi Vanvitelli, anticipated the external appearance of 18th century buildings whilst at the same time representing the swan song of the spectacular art of the Baroque, from which it adopted all the features needed to create the illusion of multidirectional space”

19 July 1996, Unesco’s nomination for the World’s Heritage List


Designed by Luigi Vanvitelli in 1752, the magnificent Royal Palace of Caserta was created to be the core of a new capital city of the kingdom.Even before ascending the throne in 1734, Charles wanted to realize an administrative centre as an alternative to Naples, because the city is located close the the sea, and this represent a risk of invasion, while the feud of Caserta was the perfect solution to these problems. So King Charles bought it in 1750 from the Prince Michelangelo Caetani di Sermoneta, for the amount of 489.393 ducats. The design of the Royal Palace was committed to Luigi Vanvitelli, at the time the first architect of the Factory of San Pietro in Vaticano. The works were solemnly inaugurated on the 20th of January 1752, the same day of the king’s birthday.The original design of the palace already included the Park, but its realization started only one year later, in 1753, and took more than fifty years to be completed.During the first phase, between 1753 and 1773, the Caroline Aqueduct was realized,because it was necessary for the water supply of the Palace and the new capital city.The aqueduct,an amazing piece of engineering that goes through an itinerary of 38 Km,was completed around the 1770.


After 1773, when Vanvitelli died, the works stopped for 4 years. In 1777 his son Carlo, now director of the works, showed to the new king Ferdinand IV a new project, a simplified version of his father’s design. Indeed, economic difficulties and the needs to complete the works quickly forced the reduction of the number of fountains in the second part of the Park. However Luigi Vanvitelli’s design was kept unchanged in the general shape,especially the most prominent thing of its project: the spectacular 3.3km canal of fountains and basins ending with the amazing waterfall.

Vanvitelli Dichiarazione Progetti Reggia Di Caserta 300 222x300, Unofficial Website of the Royal Palace of Caserta

The project of the Palace

Read online the original Project of the Palace!


The building site of the Reggia was initially slowed down by the abdication of the king and Charles of Bourbon for his transfer to the Spanish throne in 1759 and, subsequently, by the fact that his son Ferdinando wanted to finish the palace as soon as possible with the least possible expense.

The death of Luigi Vanvitelli in 1773, the economic crisis and various political events prevented the completion of the project

In 1780 the west side apartments once destined to the princes had been completed, and King Ferdinand I wanted to live there.


The Giuseppe Bonaparte era

During the Bonaparte domination there are no works carried out in the Royal Palace, but the splendid chairs and armchairs of the Alexander Room were brought by him from the Tuileries Palace.

The Joachim Murat era


Detail from the the Hall of Astrea, one of the rooms built during the Murat period

The return of the Bourbon

At the return of the Bourbons on the throne he did not dare to destroy the beautiful furnishings brought by Bonaparte and Murat as well, for example, the chairs of the Alexander Hall the initials of Joseph Bonaparte were replaced with those of Ferdinand, while always in the Alexander Hall the two large paintings and the bas-reliefs above the doors were replaced, as they praised Murat.

In 1830 the king died, and no work was done until 1839 when the Throne Room project was resumed, and completed in 1845.


In 1859 King Ferdinand IV probably died poisoned


Il Bidet Di Maria Carolina Di Napoli Nella Reggia Di Caserta., Unofficial Website of the Royal Palace of Caserta

“strange object in the shape of a guitar”. This is how the bidet was described in the Savoy inventories, as unknown to them. In fact, they were inventorying the Royal Palace, before emptying it to bring furnishings and works of art to the Turin palaces of the Savoy family.


The German and Anglo-American occupation

During the Second World War the city of Caserta hosted a displacement of Nazi troops.

Hitler, as we know, did plunder of works of art in Europe, and being the Palace became headquarters of German troops, it is logical to assume that many works of art are finite abroad.

Later the city of Caserta was bombed, and the Royal Palace was damaged. After that it became Allied Headquarters in the Mediterranean for British and American troops. The Royal Palace of Caserta thus became a great military citadel, or what was called the Allied Force Headquarter.

As it is trying to protect the works of art, it was impossible to prevent theft and damage. It is no coincidence that, periodically, objects from the Royal Palace of Caserta or with the Bourbon coat of arms embossed appear in large international auctions. International museums also possess objects and documents such as, for example, part of the palace’s original projects.

The surrender at Caserta and the end of World War II

The Surrender of Caserta was the final formal act that sanctioned the end of the Italian campaign and the definitive defeat of the Nazi-Fascist armed forces in Italy during the Second World War.

The act, entitled Instrument of local surrender of German forces and other forces placed under the command or control of the German South-West Command and its annexes, was signed in Caserta on April 29, 1945 in the presence of British and American delegated officers. Germans and a Russian observer: it provided for an unconditional surrender that was to become operational from 2 May.

In the document drawn up, the German armed forces were associated with those of the Italian Social Republic since it, being considered a puppet state and therefore not recognized by the allied forces, was unable to enter into direct agreements with the latter: for this reason the German representative it was equipped with a written proxy issued by the Minister of Defense of CSR Rodolfo Graziani.



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